Circe 590
in providential matters
we find our way home together
this evening
on horseback
we sat at the shoulder of princes
and made our way sober
through the hanging streets of nighttown
past unheeded drownings in the gloomy goings-on around us
past a laughing leer or two
as we make our way
up on to the scaffolding where
the wind blows by and songs are made
after the somewhere hearses race by and the
cars and the towngirls all fold with grief
after the eye is blind with drink and old gods
we land and in landing,
lift our spirits home.
Circe 591
I believe in the hand of mirth
as handy as any belief can be
breathing in stars
all covered in sand and chips
night closes in
my money broken
my heart in my hat
outside our plight is dropped
in awkward mournful reply
mute we pantomime
the morning's arrival
we stand on the corner
jingling change in our pocket
a stray thumb getting us where we live
and lifting us, just a tiny bit.
We rendezvous with the dead
and they harness us with caution
as we join the gloom.
Circe 592
What is seen in the morning trash:
an apple core, cut in a perfectly shaped cube
obviously executed by educated hands
irresolute in gratitude
this perfect vampire
this name you call hurt
stretched taut a pound of shoulder
shavings of skin on bobbing palms
clothes now made of flour
woven in vowels these breathing words
gently holding need
in a constant sigh
this memory of distant autumn
Circe 593
A barking dog with blooming eye
sound covers a distance
kissed by ivory shore to sandy sea
we are thoughtful in our secret suits
we gaze downward,
revealing our blindness
unseeing smiling
our helmets are no protection now,
our books have left us
we no longer understand their meaning
our pockets are empty
our diamonds and rubies
turned into stones
hailing rough wonderstruck masters
spat out on breasted beach and
gazing fairies in crystal shoes
dreaming of some shady wood
reaching into their night pockets
to finally take out their eyes
and catch the art of war
against their dark lips.
Goodbye, Circe
*John Ashbery Wet Casements
2 comments:
The last one (no.3)..such a powerful composition..
Thank you, Rod.
Post a Comment